MFA Speaks 2026

April 16, 6 pm


Join the eleven exhibiting artists for mini gallery talks in front of their work. This program is a part of MERGING LANE ENDS, the 2026 MFA Thesis Exhibition. This event is free and open to the public.

MFA Exhibition Opening Reception

April 11, 4-6pm

Join us on Saturday, April 11 from 4-6pm to enjoy the exhibition MERGING LANE ENDS and celebrate the 2026 graduating MFA cohort from the Lamar Dodd School of Art!

Exhibiting Artists
Adah Bennion
Brian George
Jana Ghezawi
Kayla Hall
Jaelyn “Yaya” Hill
Samuel Horgan
Izzy Losskarn
Larissa McPherson
Harper Nichols
Hannah Toussaint
Jordan Winiski

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Beverly’s Athens Symposium, Film Screening: Beverly Buchanan, Athens, GA, 8 July 1995

March 21, 6 - 8:30 pm (concluding programming for Beverly's Athens Symposium from 10 am - 4 pm)

The Athenaeum and UGA Willson Center for Humanities & Arts present a closing symposium for the spring 2025 exhibition Beverly’s Athens with guest curators Mo Costello and Katz Tepper and invited keynote speakers Dr. Patricia Ekpo and Bryn Evans. Program details and speaker bios here.

Symposium concludes at 4 pm with an evening film screening and discussion at the Athenaeum from 6-8:30 pm of Beverly Buchanan, Athens, GA, 8 July 1995 with filmmaker, artist, and professor emerita Judith McWillie and co-curators Mo Costello & Katz Tepper.

Register here

Judith McWillie, professor emeritus at the Lamar Dodd School of Art
Judith McWillie (b. 1946) was born and raised in Memphis, TN, where she earned her undergraduate degree in painting at Memphis State University, followed by her MFA at Ohio State University. In 1974, she moved to Athens, GA, to teach painting at the University of Georgia’s Lamar Dodd School of Art. She began recording videos with yard artists in 1984, and donated her vast videography to the Southern Folklife Collection of the University of North Carolina at Chapel Hill in 2011. The author of numerous essays in arts and culture publications including Public Art ReviewVisions Art QuarterlyMetropolis, and Artforum, she is coauthor with Grey Gundaker of No Space Hidden: The Spirit of African American Yard Work, winner of the 2007 James Mooney Award of the Southern Anthropological Society. Her work is held in the permanent collections of the Georgia Museum of Art in Athens; the Morris Museum of Art in Augusta, GA; and Christian Brothers University in Memphis.

Mo Costello is an artist, educator, and independent archivist in Athens, GA.

Katz Tepper is an artist and writer who plays with video, text, and other materials in Chicago, IL.

Costello and Tepper cocurated the 2026 exhibition Beverly’s Athens: Beverly Buchanan in Athens, Georgia at the University of Georgia’s Athenaeum, with support from the Teiger Foundation. Beverly’s Athens was featured in The Georgia Review Winter 2026 issue, where Costello and Tepper’s curatorial essay “Medical Arts: Disabled Kinship as Methodology” was published alongside essays by Patricia Ekpo and Bryn Ashley Evans. A catalog for Beverly’s Athens is forthcoming from Institute 193, with support from the Graham Foundation. Their forthcoming book Beverly Buchanan, Athens, GA, 8 July 1995 (Soberscove Press, 2026) is a transcription and annotation-based study of Judith McWillie’s 1995 video with Buchanan.

Accessible entrance is available at the front of the building off of West Broad Street. Accessible parking is located directly behind the Athenaeum in UGA lot W-16 and corresponds to the front entrance on West Broad Street. Accessible, gender-neutral restrooms are also available. Descriptive tours for blind and low-vision visitors are available by request and include verbal description of artworks. Please contact Rachel.Waldrop@uga.edu to arrange.

threshold (true): finding comfort in hidden worlds, Elinor Saragoussi

Artist Commissioned Bathroom

On view through 2028
Opening Saturday, Jan 17
with Beverly’s Athens

Media and VIP preview: 3-4pm
Public reception: 4-6pm

The Athenaeum is excited to announce two new projects as additional opportunities to engage with and support contemporary artists in our building and programming. With the prompt to create “the wildest bathrooms in Athens” the Athenaeum invited two Athens-based artists—Amanda Burk and Elinor Saragoussi—to design, envision, and transform our two ordinary bathroom spaces into artistically inspired installations. Burk’s minimalist room titled Mars: a color study, and Saragoussi’s maximalist installation titled threshold (true): finding comfort in hidden worlds, offer a spectrum between personal approaches while both remaining highly immersive visitor experiences. These commissions will remain on view for the next two years. We are excited to create more experiences with contemporary art in our building for the visiting public whether in our galleries or bathrooms, as the Athenaeum is committed to the visions of artists.

The opening debut of these new commissions concurs with the public reception for our spring exhibition Beverly’s Athens, curated by Mo Costello and Katz Tepper, which is the first major solo exhibition of Buchanan’s work in Athens, GA, situating her expansive practice from this period within the local and lived conditions that shaped it. Beverly’s Athens is supported by a 2024 Single Project Grant from Teiger Foundation—a private foundation devoted exclusively to supporting contemporary art curators. Beverly’s Athens will host a closing symposium on Saturday, March 21st.

Artist Bios

Amanda Burk is a printmaker and mural painter. In 2025 she completed a 100-foot mural along the Athens Greenway as part of a SPLOST public art project in addition to many mural works around the Athens area. Her work uses bold colors, humor and her painting style often mimics her repeated mark-making she utilizes in her printmaking. Burk has a background in long form and stand-up comedy in Chicago and New York. She holds an MFA from the University of Georgia and currently resides in Athens, Georgia.

Elinor Saragoussi, from Denver, Colorado, is currently based in Athens. She works with a variety of mediums, including felt, installation and illustration to create fantastical, colorful works. During the day, Elinor works as a carpenter and leads a cozy life with her dude Reggie and their sassy cat Jude. For more information, contact Rachel Waldrop, Director and Curator, Athenaeum: rachel.waldrop@uga.edu and athenaeum.uga.edu Opened in 2021, The Athenaeum is University of Georgia’s contemporary art space, a 5,000 square foot non-collecting contemporary art venue in downtown Athens. The Athenaeum supports artists through exhibitions and public programming examine the cultural and social contexts around us, providing a framework for intellectual and creative inquiry.

Mars: a color study, Amanda Burk

Artist Commissioned Bathroom

On view through 2028
Opening Saturday, Jan 17
with Beverly’s Athens

Media and VIP preview: 3-4pm
Public reception: 4-6pm

The Athenaeum is excited to announce two new projects as additional opportunities to engage with and support contemporary artists in our building and programming. With the prompt to create “the wildest bathrooms in Athens” the Athenaeum invited two Athens-based artists—Amanda Burk and Elinor Saragoussi—to design, envision, and transform our two ordinary bathroom spaces into artistically inspired installations. Burk’s minimalist room titled Mars: a color study, and Saragoussi’s maximalist installation titled threshold (true): finding comfort in hidden worlds, offer a spectrum between personal approaches while both remaining highly immersive visitor experiences. These commissions will remain on view for the next two years. We are excited to create more experiences with contemporary art in our building for the visiting public whether in our galleries or bathrooms, as the Athenaeum is committed to the visions of artists.

The opening debut of these new commissions concurs with the public reception for our spring exhibition Beverly’s Athens, curated by Mo Costello and Katz Tepper, which is the first major solo exhibition of Buchanan’s work in Athens, GA, situating her expansive practice from this period within the local and lived conditions that shaped it. Beverly’s Athens is supported by a 2024 Single Project Grant from Teiger Foundation—a private foundation devoted exclusively to supporting contemporary art curators. Beverly’s Athens will host a closing symposium on Saturday, March 21st.

Artist Bios

Amanda Burk is a printmaker and mural painter. In 2025 she completed a 100-foot mural along the Athens Greenway as part of a SPLOST public art project in addition to many mural works around the Athens area. Her work uses bold colors, humor and her painting style often mimics her repeated mark-making she utilizes in her printmaking. Burk has a background in long form and stand-up comedy in Chicago and New York. She holds an MFA from the University of Georgia and currently resides in Athens, Georgia.

Elinor Saragoussi, from Denver, Colorado, is currently based in Athens. She works with a variety of mediums, including felt, installation and illustration to create fantastical, colorful works. During the day, Elinor works as a carpenter and leads a cozy life with her dude Reggie and their sassy cat Jude. For more information, contact Rachel Waldrop, Director and Curator, Athenaeum: rachel.waldrop@uga.edu and athenaeum.uga.edu Opened in 2021, The Athenaeum is University of Georgia’s contemporary art space, a 5,000 square foot non-collecting contemporary art venue in downtown Athens. The Athenaeum supports artists through exhibitions and public programming examine the cultural and social contexts around us, providing a framework for intellectual and creative inquiry.

Beverly’s Athens Closing Symposium

March 21, 10 am - 4 pm with documentary screening from 6 - 8:30 pm


The Athenaeum and UGA Willson Center for Humanities & Arts present a closing symposium for the spring 2025 exhibition Beverly’s Athens: Beverly Buchanan in Athens, GA with guest curators Mo Costello and Katz Tepper and invited keynote speakers Dr. Patricia Ekpo and Bryn Evans. Program details and speaker bios below!

Symposium concludes at 4 pm with an optional evening film screening and discussion at the Athenaeum from 6-8:30 pm of Beverly Buchanan, Athens, GA, 8 July 1995 with filmmaker, artist, and professor emerita Judith McWillie and co-curators Mo Costello & Katz Tepper.

Register here

Symposium Program
Saturday, March 21

9:30–10 am
Arrivals and Registration (Coffee, Pastries)
Dodd Ambassadors, Gallery volunteers

10 am
Welcome & Acknowledgments
Rachel Waldrop, Director, Athenaeum
Symposium Overview
Francis Oliver, Moderator

10:30 am–12:00 pm
Curatorial Walkthrough with curators Mo Costello and Katz Tepper

12:00–1:30 pm
Break

1:30–2:15 pm
Bryn Ashley Evans Keynote Talk

2:30–3:15 pm
Dr. Patricia Ekpo Keynote Talk

3:30–4:00 pm 
Joint Q&A

6:00–8:30 pm 
Screening: Beverly Buchanan, Athens, GA, 8 July 1995
Speakers: Judith McWillie Q&A facilitated by Mo Costello & Katz Tepper
*Popcorn provided*

Speaker Bios
Ekpo and Evans have contributed new scholarship to Beverly’s Athens, commissioned by the Athenaeum and published by The Georgia Review.

“A Little Shortness of Breath”: The Open Black Body as Southern Landscape by Dr. Patricia Ekpo, 2025
that spirit in spite of / now like it was by Bryn Ashley Evans, 2025

Patricia Ekpo (Ph. D. Yale University), Assistant Professor of African American and African Diaspora Art, Cornell University 
Patricia Ekpo is an assistant professor of African American and African Diaspora Art at Cornell University. She works at the intersections of black critical and feminist theory, art history, and psychoanalysis to interrogate the role of antiblackness in constituting space, body, gender, psyche, and subjectivity. Her work has been published in Parapraxis and Studies in Gender and Sexuality.

Bryn Ashley Evans, Ph.D Candidate, Department of Art & Art History, Stanford University 
Bryn Ashley Evans is a poet from Decatur, Georgia. She received her BA in art history and African American studies at Columbia University and is a PhD candidate at Stanford University, where she studies Southern Black art and performance. Her writing has been published in BurnawayStudio MagazineCallaloo, and Frieze.

Judith McWillie, professor emeritus at the Lamar Dodd School of Art
Judith McWillie (b. 1946) was born and raised in Memphis, TN, where she earned her undergraduate degree in painting at Memphis State University, followed by her MFA at Ohio State University. In 1974, she moved to Athens, GA, to teach painting at the University of Georgia’s Lamar Dodd School of Art. She began recording videos with yard artists in 1984, and donated her vast videography to the Southern Folklife Collection of the University of North Carolina at Chapel Hill in 2011. The author of numerous essays in arts and culture publications including Public Art ReviewVisions Art QuarterlyMetropolis, and Artforum, she is coauthor with Grey Gundaker of No Space Hidden: The Spirit of African American Yard Work, winner of the 2007 James Mooney Award of the Southern Anthropological Society. Her work is held in the permanent collections of the Georgia Museum of Art in Athens; the Morris Museum of Art in Augusta, GA; and Christian Brothers University in Memphis.

Mo Costello is an artist, educator, and independent archivist in Athens, GA. 

Katz Tepper is an artist and writer who plays with video, text, and other materials in Chicago, IL. 

Costello and Tepper cocurated the 2026 exhibition Beverly’s Athens: Beverly Buchanan in Athens, Georgia at the University of Georgia’s Athenaeum, with support from the Teiger Foundation. Beverly’s Athens was featured in The Georgia Review Winter 2026 issue, where Costello and Tepper’s curatorial essay “Medical Arts: Disabled Kinship as Methodology” was published alongside essays by Patricia Ekpo and Bryn Ashley Evans. A catalog for Beverly’s Athens is forthcoming from Institute 193, with support from the Graham Foundation. Their forthcoming book Beverly Buchanan, Athens, GA, 8 July 1995 (Soberscove Press, 2026) is a transcription and annotation-based study of Judith McWillie’s 1995 video with Buchanan.

Accessible entrance is available at the front of the building off of West Broad Street. Accessible parking is located directly behind the Athenaeum in UGA lot W-16 and corresponds to the front entrance on West Broad Street. Accessible, gender-neutral restrooms are also available. Descriptive tours for blind and low-vision visitors are available by request and include verbal description of artworks. Please contact Rachel.Waldrop@uga.edu to arrange.

Reading with Brenda Iijima and Saretta Morgan presented by The Georgia Review

February 5, 4pm

Join us for a reading with Brenda Iijima and Saretta Morgan
Q+A and book signing, reception to follow at The UGA Special Collections Library
 
This event is supported in part by the Building Southern Intersectional Futures grant from the Mellon Foundation and the Institute for Women’s and Gender Studies at UGA.

Brenda Iijima is a poet, novelist, playwright, choreographer, and visual artist. She is the author of nine books of poetry. Her involvements occur at the intersections and mutations of genre, mode, receptivity, and field of study. Her current work engages submerged and occluded histories, other-than-human modes of expression, and telluric awareness in all forms. She is the author of A roundtable, unanimous dreamers chime in, a collaborative novel co-authored with Janice Lee (Meekling Press, 2023), a novel, Presence (Georgia Review Press, 2024), and a play, Daily Life in China (forthcoming from elis press, 2024). Iijima is the founding editor-publisher of Portable Press @ Yo-Yo Labs. She lives in Brooklyn.
  
Saretta Morgan is the author of AltNature (Coffee House Press, 2024) as well as the chapbooks Feeling Upon Arrival (Ugly Duckling, 2018) and room for a counter interior (Portable Press at Yo-Yo Labs, 2017).
Her work engages ecologies and forms of connectivity that develop alongside processes of U.S. militarization. Over the past decade she has participated in veteran-led organizing with Veterans for Peace (NYC) and About Face: Veterans Against the War, as well as the humanitarian aid work of No More Deaths Phoenix, which provides direct support to address the death and suffering of migrants in the Sonoran Desert. Additionally, she has been fortunate to participate in, and learn from, Indigenous-led water protection and food sovereignty work, Black-led community healing initiatives, and trans-led support for detained migrants. She believes in a Free Palestine as part of the broader inevitability of LAND BACK for Indigenous peoples across the earth.

From 2018-2023 she lived between the Sonoran and Mojave Deserts, where she wrote her first full-length poetry collection, AltNature (2024), and the chapbooks Feeling Upon Arrival (2018), and room for a counter interior (Portable Press @ Yo-Yo Labs, 2017).

She leads workshops and designs interactive language-based programs for public and private settings. As a practice, she no longer uses her bio to validate cultural arms of the carceral state. However, contractually: She is the 2025-2026 Black Mountain Institute-Kluge Fellow at the University of Nevada, Las Vegas.

Born in Appalachia and raised on military installations, she is a daughter of the South (east & west). She lives on Muscogee lands in Atlanta, GA where she trains in Capoeira and wild bird rehabilitation.

MERGING LANE ENDS

April 11 - May 9, 2026

Opening reception: Saturday April 11, 4-6pm
MFA Speaks: Thursday April 16, 6pm

MERGING LANE ENDS celebrates the 2026 MFA graduates from the Lamar Dodd School of Art at the University of Georgia.

Exhibiting Artists

Adah Bennion
Brian George
Jana Ghezawi
Kayla Hall
Jaelyn “Yaya” Hill
Samuel Horgan
Izzy Losskarn
Larissa McPherson
Harper Nichols
Hannah Toussaint
Jordan Winiski

Referencing a traffic sign that warns of upcoming transitions, Merging Lane Endsexplores the ideas and artworks of the eleven 2026 MFA candidates from the Lamar Dodd School of Art. The works on view combine constructed scenes, manipulated materials, found objects, and performance elements. Together, these artists present a reimagined, often exaggerated yet embodied, view of the world.

Adah Bennion weaves waste materials together to explore ideas of time and resilience, while Brian George alters religious narratives by incorporating patterns drawn from biblical illustrations. Jaelyn Hill and Kayla Hall use found objects and printmaking methods to consider community archives and collective care, while Jana Ghezawi plays with timelessness by materializing her personal iconography into paintings and papier-mâché sculptures. Jordan Winiski and Larissa McPherson both draw inspiration from organic matter, addressing the simultaneous awe and disdain in humans’ relationship to the environment. Hannah Toussaint and Izzy Losskarn work at opposing ends of the physical and conceptual spectrum, yet both manipulate materials into abstract depictions of the body. Harper Nichols constructs photographs that establish a boundary between herself and the viewer, whereas Samuel Horgan bridges the gap between performer and audience, telling speculative, semi-autobiographical stories.

As this academic lane ends and these individuals begin to merge into larger, more adjacent lanes of conversation, we invite you to consider how these artists explore themes of identity, religion, environmental consumerism, and love, speaking to and playing off one another and the world at large.

For more information, contact Rachel Waldrop, Director and Curator, Athenaeum: rachel.waldrop@uga.edu and athenaeum.uga.edu. Opened in 2021, The Athenaeum is a 5,000 square foot non-collecting contemporary art venue in downtown Athens affiliated with UGA and the Lamar Dodd School of Art.

Merging Lane Ends is supported by UGA’s Franklin College of Arts and Sciences, The Lamar Dodd School of Art and Athenaeum Support Funds.

Exhibition Opening Reception

January 17, 4-6pm

Join us in celebrating the opening of Beverly's Athens, the first major solo exhibition of the artist Beverly Buchanan's work in the city by guest curators Mo Costello and Katz Tepper, supported by the Teiger Foundation. Free and open to the public.

Accessible entrance is available at the front of the building off of West Broad Street. Accessible parking is located directly behind the Athenaeum in UGA lot W-16 and corresponds to the front entrance on West Broad Street. Please contact Rachel.Waldrop@uga.edu to arrange access through the rear staff entrance. Accessible, gender-neutral restrooms are also available. Descriptive tours for blind and low-vision visitors are available by request and include verbal description of artworks. Please contact Rachel.Waldrop@uga.edu to arrange.

Intersecting Contemporary Art & Business: A Night with UBS

November 20th, 2025 at 6:00 pm

Join the Athenaeum and UGA’s Franklin College of Arts and Sciences for a dynamic evening with two accomplished Private Wealth Advisors and the Head of Art Advisory Americas at UBS, all proud Franklin College alumni. Whether you’re a student exploring future career paths, a professional or patron curious about the crossroads of art, finance, and philanthropy, or simply interested in how individuals can shape the cultural landscape — this conversation is for you!

The Athenaeum and Franklin College of Arts & Sciences are proud to partner with the Innovation District and the Young Collectors Club on this program. The Innovation District is a comprehensive ecosystem of people, programs, and places working together to foster entrepreneurship and the commercialization of ideas at UGA. Young Collectors Club (YCC), founded in 2006 by Mary Stanley Studio, provides education and social networking opportunities for young professionals interested in learning about and collecting contemporary art. YCC members meet at least twice each month for exclusive behind-the-scene sessions with art critics, museum curators, artists, gallery owners, and private collectors.

Panelists

Matthew Newton (New York, NY) Executive Director, Head of Art Advisory Americas, Family Office Solutions, UBS Dual BFA in Art and Art Education, Lamar Dodd School of Art, Franklin College (’04)


R. Mitchell Wickham (Charlotte, NC) Managing Director, Private Wealth Advisor, Wealth Management, UBS BA English, Franklin College (’92)


Barry Young (Houston, TX) Managing Director, Wealth Management, USA Private Wealth Advisor, UBS BA History, Franklin College (’90)

The conversation will explore:
Career pathways that blend art, business, and entrepreneurship
What it really means to collect art today
How anyone — from any field — can become a meaningful supporter of the arts and make a lasting community impact
This event also highlights UBS’s long-standing commitment to contemporary art, including their world-renowned UBS Art Collection — featuring works from the 1960s to today by some of the most influential artists of our time.

Moderated by Rachel Waldrop, Director and Curator, Athenaeum & Dodd Galleries, UGA. For more details, visit athenaeum.uga.edu or contact Rachel at rachel.waldrop@uga.edu.

About UBS
UBS has a long history of supporting contemporary art and artists through its renowned corporate art collection, longstanding partnership with Art Basel, and Art Advisory expertise. The advice and guidance we provide is an integral part of the passion for art that we share with clients.
UBS Art Advisory, a service of Family Office Solutions, guides individuals and families toward the principles and best practices to build, maintain and plan for exceptional lasting collections. Through a suite of advisory services related to art collecting, art market due diligence, collection management, strategic planning and art legacy, collectors of significant wealth are equipped with the knowledge and support to set the standard for our generation’s leading collections.

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