Beverly’s Athens Symposium, Film Screening: Beverly Buchanan, Athens, GA, 8 July 1995

March 21, 6 - 8:30 pm (concluding programming for Beverly's Athens Symposium from 10 am - 4 pm)

The Athenaeum and UGA Willson Center for Humanities & Arts present a closing symposium for the spring 2025 exhibition Beverly’s Athens with guest curators Mo Costello and Katz Tepper and invited keynote speakers Dr. Patricia Ekpo and Bryn Evans. Program details and speaker bios here.

Symposium concludes at 4 pm with an evening film screening and discussion at the Athenaeum from 6-8:30 pm of Beverly Buchanan, Athens, GA, 8 July 1995 with filmmaker, artist, and professor emerita Judith McWillie and co-curators Mo Costello & Katz Tepper.

Register here

Judith McWillie, professor emeritus at the Lamar Dodd School of Art
Judith McWillie (b. 1946) was born and raised in Memphis, TN, where she earned her undergraduate degree in painting at Memphis State University, followed by her MFA at Ohio State University. In 1974, she moved to Athens, GA, to teach painting at the University of Georgia’s Lamar Dodd School of Art. She began recording videos with yard artists in 1984, and donated her vast videography to the Southern Folklife Collection of the University of North Carolina at Chapel Hill in 2011. The author of numerous essays in arts and culture publications including Public Art ReviewVisions Art QuarterlyMetropolis, and Artforum, she is coauthor with Grey Gundaker of No Space Hidden: The Spirit of African American Yard Work, winner of the 2007 James Mooney Award of the Southern Anthropological Society. Her work is held in the permanent collections of the Georgia Museum of Art in Athens; the Morris Museum of Art in Augusta, GA; and Christian Brothers University in Memphis.

Mo Costello is an artist, educator, and independent archivist in Athens, GA.

Katz Tepper is an artist and writer who plays with video, text, and other materials in Chicago, IL.

Costello and Tepper cocurated the 2026 exhibition Beverly’s Athens: Beverly Buchanan in Athens, Georgia at the University of Georgia’s Athenaeum, with support from the Teiger Foundation. Beverly’s Athens was featured in The Georgia Review Winter 2026 issue, where Costello and Tepper’s curatorial essay “Medical Arts: Disabled Kinship as Methodology” was published alongside essays by Patricia Ekpo and Bryn Ashley Evans. A catalog for Beverly’s Athens is forthcoming from Institute 193, with support from the Graham Foundation. Their forthcoming book Beverly Buchanan, Athens, GA, 8 July 1995 (Soberscove Press, 2026) is a transcription and annotation-based study of Judith McWillie’s 1995 video with Buchanan.

Accessible entrance is available at the front of the building off of West Broad Street. Accessible parking is located directly behind the Athenaeum in UGA lot W-16 and corresponds to the front entrance on West Broad Street. Accessible, gender-neutral restrooms are also available. Descriptive tours for blind and low-vision visitors are available by request and include verbal description of artworks. Please contact Rachel.Waldrop@uga.edu to arrange.

Beverly’s Athens Closing Symposium

March 21, 10 am - 4 pm with documentary screening from 6 - 8:30 pm


The Athenaeum and UGA Willson Center for Humanities & Arts present a closing symposium for the spring 2025 exhibition Beverly’s Athens: Beverly Buchanan in Athens, GA with guest curators Mo Costello and Katz Tepper and invited keynote speakers Dr. Patricia Ekpo and Bryn Evans. Program details and speaker bios below!

Symposium concludes at 4 pm with an optional evening film screening and discussion at the Athenaeum from 6-8:30 pm of Beverly Buchanan, Athens, GA, 8 July 1995 with filmmaker, artist, and professor emerita Judith McWillie and co-curators Mo Costello & Katz Tepper.

Register here

Symposium Program
Saturday, March 21

9:30–10 am
Arrivals and Registration (Coffee, Pastries)
Dodd Ambassadors, Gallery volunteers

10 am
Welcome & Acknowledgments
Rachel Waldrop, Director, Athenaeum
Symposium Overview
Francis Oliver, Moderator

10:30 am–12:00 pm
Curatorial Walkthrough with curators Mo Costello and Katz Tepper

12:00–1:30 pm
Break

1:30–2:15 pm
Bryn Ashley Evans Keynote Talk

2:30–3:15 pm
Dr. Patricia Ekpo Keynote Talk

3:30–4:00 pm 
Joint Q&A

6:00–8:30 pm 
Screening: Beverly Buchanan, Athens, GA, 8 July 1995
Speakers: Judith McWillie Q&A facilitated by Mo Costello & Katz Tepper
*Popcorn provided*

Speaker Bios
Ekpo and Evans have contributed new scholarship to Beverly’s Athens, commissioned by the Athenaeum and published by The Georgia Review.

“A Little Shortness of Breath”: The Open Black Body as Southern Landscape by Dr. Patricia Ekpo, 2025
that spirit in spite of / now like it was by Bryn Ashley Evans, 2025

Patricia Ekpo (Ph. D. Yale University), Assistant Professor of African American and African Diaspora Art, Cornell University 
Patricia Ekpo is an assistant professor of African American and African Diaspora Art at Cornell University. She works at the intersections of black critical and feminist theory, art history, and psychoanalysis to interrogate the role of antiblackness in constituting space, body, gender, psyche, and subjectivity. Her work has been published in Parapraxis and Studies in Gender and Sexuality.

Bryn Ashley Evans, Ph.D Candidate, Department of Art & Art History, Stanford University 
Bryn Ashley Evans is a poet from Decatur, Georgia. She received her BA in art history and African American studies at Columbia University and is a PhD candidate at Stanford University, where she studies Southern Black art and performance. Her writing has been published in BurnawayStudio MagazineCallaloo, and Frieze.

Judith McWillie, professor emeritus at the Lamar Dodd School of Art
Judith McWillie (b. 1946) was born and raised in Memphis, TN, where she earned her undergraduate degree in painting at Memphis State University, followed by her MFA at Ohio State University. In 1974, she moved to Athens, GA, to teach painting at the University of Georgia’s Lamar Dodd School of Art. She began recording videos with yard artists in 1984, and donated her vast videography to the Southern Folklife Collection of the University of North Carolina at Chapel Hill in 2011. The author of numerous essays in arts and culture publications including Public Art ReviewVisions Art QuarterlyMetropolis, and Artforum, she is coauthor with Grey Gundaker of No Space Hidden: The Spirit of African American Yard Work, winner of the 2007 James Mooney Award of the Southern Anthropological Society. Her work is held in the permanent collections of the Georgia Museum of Art in Athens; the Morris Museum of Art in Augusta, GA; and Christian Brothers University in Memphis.

Mo Costello is an artist, educator, and independent archivist in Athens, GA. 

Katz Tepper is an artist and writer who plays with video, text, and other materials in Chicago, IL. 

Costello and Tepper cocurated the 2026 exhibition Beverly’s Athens: Beverly Buchanan in Athens, Georgia at the University of Georgia’s Athenaeum, with support from the Teiger Foundation. Beverly’s Athens was featured in The Georgia Review Winter 2026 issue, where Costello and Tepper’s curatorial essay “Medical Arts: Disabled Kinship as Methodology” was published alongside essays by Patricia Ekpo and Bryn Ashley Evans. A catalog for Beverly’s Athens is forthcoming from Institute 193, with support from the Graham Foundation. Their forthcoming book Beverly Buchanan, Athens, GA, 8 July 1995 (Soberscove Press, 2026) is a transcription and annotation-based study of Judith McWillie’s 1995 video with Buchanan.

Accessible entrance is available at the front of the building off of West Broad Street. Accessible parking is located directly behind the Athenaeum in UGA lot W-16 and corresponds to the front entrance on West Broad Street. Accessible, gender-neutral restrooms are also available. Descriptive tours for blind and low-vision visitors are available by request and include verbal description of artworks. Please contact Rachel.Waldrop@uga.edu to arrange.

Reading with Brenda Iijima and Saretta Morgan presented by The Georgia Review

February 5, 4pm

Join us for a reading with Brenda Iijima and Saretta Morgan
Q+A and book signing, reception to follow at The UGA Special Collections Library
 
This event is supported in part by the Building Southern Intersectional Futures grant from the Mellon Foundation and the Institute for Women’s and Gender Studies at UGA.

Brenda Iijima is a poet, novelist, playwright, choreographer, and visual artist. She is the author of nine books of poetry. Her involvements occur at the intersections and mutations of genre, mode, receptivity, and field of study. Her current work engages submerged and occluded histories, other-than-human modes of expression, and telluric awareness in all forms. She is the author of A roundtable, unanimous dreamers chime in, a collaborative novel co-authored with Janice Lee (Meekling Press, 2023), a novel, Presence (Georgia Review Press, 2024), and a play, Daily Life in China (forthcoming from elis press, 2024). Iijima is the founding editor-publisher of Portable Press @ Yo-Yo Labs. She lives in Brooklyn.
  
Saretta Morgan is the author of AltNature (Coffee House Press, 2024) as well as the chapbooks Feeling Upon Arrival (Ugly Duckling, 2018) and room for a counter interior (Portable Press at Yo-Yo Labs, 2017).
Her work engages ecologies and forms of connectivity that develop alongside processes of U.S. militarization. Over the past decade she has participated in veteran-led organizing with Veterans for Peace (NYC) and About Face: Veterans Against the War, as well as the humanitarian aid work of No More Deaths Phoenix, which provides direct support to address the death and suffering of migrants in the Sonoran Desert. Additionally, she has been fortunate to participate in, and learn from, Indigenous-led water protection and food sovereignty work, Black-led community healing initiatives, and trans-led support for detained migrants. She believes in a Free Palestine as part of the broader inevitability of LAND BACK for Indigenous peoples across the earth.

From 2018-2023 she lived between the Sonoran and Mojave Deserts, where she wrote her first full-length poetry collection, AltNature (2024), and the chapbooks Feeling Upon Arrival (2018), and room for a counter interior (Portable Press @ Yo-Yo Labs, 2017).

She leads workshops and designs interactive language-based programs for public and private settings. As a practice, she no longer uses her bio to validate cultural arms of the carceral state. However, contractually: She is the 2025-2026 Black Mountain Institute-Kluge Fellow at the University of Nevada, Las Vegas.

Born in Appalachia and raised on military installations, she is a daughter of the South (east & west). She lives on Muscogee lands in Atlanta, GA where she trains in Capoeira and wild bird rehabilitation.

Exhibition Opening Reception

January 17, 4-6pm

Join us in celebrating the opening of Beverly's Athens, the first major solo exhibition of the artist Beverly Buchanan's work in the city by guest curators Mo Costello and Katz Tepper, supported by the Teiger Foundation. Free and open to the public.

Accessible entrance is available at the front of the building off of West Broad Street. Accessible parking is located directly behind the Athenaeum in UGA lot W-16 and corresponds to the front entrance on West Broad Street. Please contact Rachel.Waldrop@uga.edu to arrange access through the rear staff entrance. Accessible, gender-neutral restrooms are also available. Descriptive tours for blind and low-vision visitors are available by request and include verbal description of artworks. Please contact Rachel.Waldrop@uga.edu to arrange.

Intersecting Contemporary Art & Business: A Night with UBS

November 20th, 2025 at 6:00 pm

Join the Athenaeum and UGA’s Franklin College of Arts and Sciences for a dynamic evening with two accomplished Private Wealth Advisors and the Head of Art Advisory Americas at UBS, all proud Franklin College alumni. Whether you’re a student exploring future career paths, a professional or patron curious about the crossroads of art, finance, and philanthropy, or simply interested in how individuals can shape the cultural landscape — this conversation is for you!

The Athenaeum and Franklin College of Arts & Sciences are proud to partner with the Innovation District and the Young Collectors Club on this program. The Innovation District is a comprehensive ecosystem of people, programs, and places working together to foster entrepreneurship and the commercialization of ideas at UGA. Young Collectors Club (YCC), founded in 2006 by Mary Stanley Studio, provides education and social networking opportunities for young professionals interested in learning about and collecting contemporary art. YCC members meet at least twice each month for exclusive behind-the-scene sessions with art critics, museum curators, artists, gallery owners, and private collectors.

Panelists

Matthew Newton (New York, NY) Executive Director, Head of Art Advisory Americas, Family Office Solutions, UBS Dual BFA in Art and Art Education, Lamar Dodd School of Art, Franklin College (’04)


R. Mitchell Wickham (Charlotte, NC) Managing Director, Private Wealth Advisor, Wealth Management, UBS BA English, Franklin College (’92)


Barry Young (Houston, TX) Managing Director, Wealth Management, USA Private Wealth Advisor, UBS BA History, Franklin College (’90)

The conversation will explore:
Career pathways that blend art, business, and entrepreneurship
What it really means to collect art today
How anyone — from any field — can become a meaningful supporter of the arts and make a lasting community impact
This event also highlights UBS’s long-standing commitment to contemporary art, including their world-renowned UBS Art Collection — featuring works from the 1960s to today by some of the most influential artists of our time.

Moderated by Rachel Waldrop, Director and Curator, Athenaeum & Dodd Galleries, UGA. For more details, visit athenaeum.uga.edu or contact Rachel at rachel.waldrop@uga.edu.

About UBS
UBS has a long history of supporting contemporary art and artists through its renowned corporate art collection, longstanding partnership with Art Basel, and Art Advisory expertise. The advice and guidance we provide is an integral part of the passion for art that we share with clients.
UBS Art Advisory, a service of Family Office Solutions, guides individuals and families toward the principles and best practices to build, maintain and plan for exceptional lasting collections. Through a suite of advisory services related to art collecting, art market due diligence, collection management, strategic planning and art legacy, collectors of significant wealth are equipped with the knowledge and support to set the standard for our generation’s leading collections.

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Natural History: Georgia Review Interdisciplinary Symposium

November 8th, 2025 at 2:00 pm

Continuing its tradition, The Georgia Review will be presenting an interdisciplinary symposium for graduate students from the UGA Creative Writing Program and Lamar Dodd School of Art to showcase their creative work during Spotlight on the Arts. The theme for this year is “Natural History.”  As a term “Natural History” relates to curation, classification, and preservation.  It focuses on the more-than-human world(s) of a particular region and the ways of life these elicit.  In the constellation of “natural” and “history”, one can also hear a question of what would constitute an unnatural history. Taking this phrase as a starting point, Art students Eve Brown, Paul Knopf, Jeanne Marie Martineau, and Larissa Mcpherson along with Creative Writing students Rahad Abir, O-Jeremiah (Oluwatoyosi) Agbaakin, Matthew Moore, and Nik Moore will present their work and how it relates and expands upon this theme.
The event will take place on November 8th at the Athenaeum from 2 to 4:30 pm. Drinks and light refreshments will be provided. This event is free and open to the public.

Speakers

Rahad Abir is a writer from Bangladesh. His debut novel Bengal Hound won the Georgia Author of the Year Award for literary fiction. His work has appeared or is forthcoming in Prairie Schooner, Southeast Review, Witness, and elsewhere. He is the recipient of the Charles Pick Fellowship at the University of East Anglia and the Marguerite McGlinn Prize for Fiction. His work has been translated into French and Hindi. His short story, “Mr. Moti,” is featured in a secondary school English textbook in Bangladesh, where it is required reading for 9th and 10th graders.


O-Jeremiah Agbaakin is the author of The Sign of the Ram(Akashic Books, 2023), selected by Kwame Dawes and Chris Abani for the New Generation African Poets Chapbook series. His poems and reviews are published in Kenyon Review, POETRY Magazine, Poetry Daily, Poetry Society of America, The Rumpus, and elsewhere. He’s received fellowship and support from Good Hart Artist Residency, Massachusetts Museum of Contemporary Art, Bread Loaf, Tin House; and a Graduate Research Award from the Willson Center for Humanities and Arts, among other honors. He is currently a doctoral student of Creative Writing and Literature at University of Georgia.


Eve Brown holds a Bachelor of Arts from Bard College where she studied painting, sculpture, poetry and digital media. Brown also received the Ellen Battel Stoeckel Fellowship to study at the Yale/Norfolk Summer Painting Program. She is currently an MFA candidate in sculpture at the University of Georgia, where she was also awarded an additional assistantship for interdisciplinary research in the Arts Collaborative. She is the recipient of the Idea Capital Grant and also of the Nexus Fund Grant from the Andy Warhol Foundation. She was awarded a residency at the Maitland Art and History Museum in Maitland, Florida. Brown has shown work at Whitespace Gallery, Georgia Tech, Atlanta Contemporary Art, Swan Coach House and the Gadsden Museum of Art. She currently lives, works and teaches in Atlanta, GA, where she was born.


Paul Knopf is currently pursuing his Master of Fine Arts at the Lamar Dodd School of Art at the University of Georgia where he was awarded an Osborne Graduate Fellowship. His work has been part of exhibitions in Athens, Berlin, Buffalo, Niagara Falls, Kassel, Tokyo, Weimar, and Zella-Mehlis, and it has been published in Class Favourite Magazine, PORT, and blank magazine among others. Before joining the Dodd, he was part of the International Media Architecture Master Studies—a joint program between the University at Buffalo, SUNY (USA) and the Bauhaus-University Weimar (GER). During his time in Buffalo, he was a member of BICA School—a free, collective art school at the Buffalo Institute for Contemporary Art. In parallel to his undergraduate studies in architecture and after a semester abroad at the Academy of Fine Arts Vienna (Austria), he joined the class for Sculpture, Object, Installation of Prof. Björn Dahlem at Bauhaus-University Weimar. He received scholarships from the Studienstiftung des deutschen Volkes (German Academic Scholarship Foundation) and the DAAD (German Academic Exchange Service).


Jeanne Marie Martineau is a French American transdisciplinary artist who weaves various mediums of object making, dream tending, writing, song and sound meditation into a unified peace practice and experiences of artistic self-discovery for others.  Through collecting and transforming local and discarded materials like felled tree limbs, wood scraps, plastic bags and packaging, and sounds from the environment, she tells stories of place and highlights the connectedness of all things. Jeanne Marie is currently a second year Master of Fine Arts student at the University of Georgia’s Lamar Dodd School of Art. 


Larissa McPherson is a metalsmith and jewelry artist from Adairsville, GA, and is currently working on her MFA in Jewelry & Metalsmithing at the University of Georgia Lamar Dodd School of Art. Larissa graduated from the University of West Georgia with a B.S. in Psychology and a minor in studio art. By studying metalsmithing with an old professor and joining the Metal Arts Guild of Georgia in early 2022, Larissa started a path toward pursuing metalsmithing full-time. Her work explores ideas and issues related to the accumulation of microplastics and waste in the environment, specifically within animal bodies. Microplastics are now found in every being, and her work imagines how this might visually appear in the bones animals leave behind.


Matthew Moore is the author of a poetry collection, The Reckoning of Jeanne d’Antietam (University of Nevada Press). He is the translator of Opera Buffa by Tomaž Šalamun (Black Ocean) and Padova by Igo Gruden (Adjunct Press).


Nik Moore is a Kentucky poet, a graduate of the MFA program in Creative Writing at the University of Montana, and a doctoral student of English Literature and Creative Writing at the University of Georgia. Their poems have appeared in A Literary Field Guide to Northern Appalachia (UGA Press), Orion, Poetry Northwest, and EcoTheo, among other journals and anthologies. Nik is the recipient of a Danny Miller Award for Advanced Graduate Study from Northern Kentucky University and was granted a Greta Wrolstad Travel Award from the University of Montana in sponsorship of their study of silence at Trappist monasteries.


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4’33” Research in the Arts Contest

November 17, 4-6pm

An homage to John Cage’s landmark composition of the same name, the 4 Minutes, 33 Seconds Contest highlights University of Georgia student research in the arts. The event offers an opportunity for students to share their creative inquiry with peers, faculty, administrators and alumni throughout the university community. Students present for no longer than four minutes and thirty-three seconds in length. Light refreshments provided. This event is a part of UGA's Spotlight on the Arts Festival.

3rd Annual Athens Art Book Fair

Saturday, June 21, 2025
11am-4pm

Vendor applications open through April 27 - apply today!

The Athens Art Book Fair was established to spotlight the critical relationship between contemporary art and publishing with a regional focus on the Southeast. The third annual Athens Art Book Fair will showcase a variety of works on paper produced by dozens of artists and presses. Join us to explore a wide variety of techniques and subject matter on display and connect with artists and publishers!

Please note that this event is affiliated with the annual arts and music festival AthFest, which will attract considerable traffic in the area. Plan your visit and parking accordingly.

Free and open to the public, 11am-4pm.

The Athens Art Book Fair is presented by the University of Georgia Art Library, the Lamar Dodd School of Art, and the UGA Printmaking Students Association.

MFA SPEAKS 2025

Thursday, April 24, 2025
5:30pm

Join the ten exhibiting artists for mini gallery artists talks in front of their work!
Free and open to the public.

Exhibition Opening

January 10, 6-8pm January 11, 2-4PM

Due to inclement weather and UGA campus closure, this exhibition opening has been rescheduled to January 11 from 2 - 4pm.


Join us in celebrating New York-based artist Matt Keegan's new solo exhibition "Realia."

The sculptures, collage, and paintings in Matt Keegan’s Realia are informed by a set of 400 double-sided image-based flash cards his mother made between the late 1980s to mid-2000s to teach English to high school and adult ed students. The cards feature cut up images from clothing catalogs, magazines, teacher union mailers, and other printed matter that came into their home. 

In Keegan’s interpretation, the images become part of an associative game of logic, pointing to the endless construction of codes, both symbolic and cultural. A newly commissioned tabletop sculpture, for example, presents familiar objects cast in aqua resin and then painted, drawn, and pigmented in various media to assert the objects’ colors and textures. These colored casts do not form a cohesive narrative and, in this way, prompt reflection on the associative and disjunctive nature of meaning. “Behind every image is another image” the postmodernist historian Douglas Crimp once said, and now Keegan might add, behind every word is another word in a complex and never-ending proliferation of meaning. 

Yet Keegan’s reflections on the production of meaning are not only wry. In his recent small-scale oil paintings, which recall the size and pictures from his mother’s teaching aids, the hand of the artist – itself, another signifier– is evident. At times clumsy, the representation of a photo of a door knob, a roll of paper towels, or a slide are stripped from their denotative function and acquire something more poignant: the entanglement of all these systems with subjectivity, memory, and meanings not found on flashcards. Thus, the works invite even more speculative readings, an expression of the language of imagination. 

Matt Keegan is an interdisciplinary artist based in Brooklyn, NY. His work has been widely exhibited at venues including The Museum of Modern Art, (NY) earlier this year. He has presented solo projects at SculptureCenter (NY) and the Carpenter Center for the Visual Arts (Cambridge, Massachusetts), as well as two-person exhibitions with Kay Rosen at the Contemporary Arts Museum Houston, and Grazer Kunstverein (Graz, Austria), in addition to various international group shows. His work is represented in public collections, including MoMA, NY; Solomon R. Guggenheim Museum, NY; The Metropolitan Museum of Art, NY, among others. His book, 1996, was published in 2020 by the Center for Art, Research and Alliances (CARA). Keegan is a Senior Critic in the Painting and Printmaking Department at Yale University.

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